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  • Canaletto in Cumbria
    Canaletto: Celebrating Britain at Abbot Hall Art Gallery, Kendal, Cumbria, until Feb 13..

    Clare Finn

    Published: 26/01/2016

  • The Wilde unknown
    Gerald Wilde: From the Abyss, October Gallery

    David Buckman

    Published: 13/01/2016

  • Conservation Oscars
    The 2015 Conservation Awards

    Clare Finn

    Published: 22/12/2015

  • Seeking change
    Alexander Calder, Performing art; Tate Modern

    Clare Finn

    Published: 22/11/2015

  • Beyond the frame
    FIELD by Anne Hardy, Modern Art Oxford, until January 10

    Nico Kos Earle

    Published: 10/11/2015

  • An Enchanted Distance
    John Armstrong, Piano Nobile, 129 Portland Road, London W11 4LW, until December 8

    David Buckman

    Published: 01/11/2015

  • Goya the unflattering flatterer
    Goya: the Portraits, at the National Gallery, London, 7 October - 10 January

    Clare Finn

    Published: 20/10/2015

  • Borough: Bomberg and his students
    At Waterhouse & Dodd, Albemarle St, to Oct 24

    David Buckman

    Published: 06/10/2015

  • Tate Britain - Watercolour
    Tate Britain invites you to challenge your preconceptions of what watercolour is.

    Denise Silvester-Carr

    Published: 22/02/2011

  • An engineer's love affair with art
    How a Genoese collector supported anti-regime artists in Fascist Italy.

    Review by Corinna Lotz

    Published: 18/02/2011

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Bacon figures Cotman

Figures on the ramparts at Domfront 1823 John Sell Cotman - private collection. In the Cotman in Normandy exhibition at the Dulwich Picture Gallery.

Cotman in Normandy

Dulwich Picture Gallery until 13 January

William Russell

Published: 16/10/2012

 The first and last rooms of this exhibition are
the ones that admirers of John Sell Cotman will get the greatest pleasure from.
They contain the watercolours. In the intervening room are mainly the etchings
he made as a result of three trips to Normandy
in 1817, 1818 and 1820. In all they added up to his spending six months touring
the countryside there.  His plan was to
create a volume of etchings to raise money by tapping into the interest in
things French in the aftermath of the Napoleonic wars. The book did not,
however, prove the best seller he had hoped for. There is no denying they are
splendid etchings as Cotman was a superb draughtsman. He was fascinated by the
links between the architecture of the Normans in
Britain – he had painted
many of the Norman churches in his native county of Norfolk
– and those in their homeland. The drawings at the least are a record of
buildings often under threat but they are dead pictures unlike the watercolours.
They are also studio works done from sketches he made on the spot. The
watercolours on show do not disappoint, and neither does the exhibition as long
as one is not expecting something it was not designed to deliver. 


 Alencon - CotmanAlencon 1823 © Birmingham Museums


 Cotman watercolourDurham Cathedral 1806. © Trustees of the British Museum.


 FalaiseEntrance to the town of Falaise 1823. © Martin Gregory


 HarrowMont St Michel 1818. By permission of the Keepers and Governors of School.


Chateau NavarreChateau Navarre near Evreux, Normandy c. 1828. © Yale Center for British Art, Paul Mellon Collection.


Old HouseAn Old Stone House, Rues St Jean, Caen. © Professor Donald Stone.


Dulwich Picture Gallery