The aims of the Music Section of the Critics’ Circle are: a) to promote the art of criticism and to uphold its integrity in practice; b) to foster and safeguard the professional interests of its members and to provide opportunities for social intercourse among them; and c) to support the advancement of the arts. Though the Circle is decidedly not a trade union, it tries to encourage best practice.
We meet to discuss and decide bread and butter matters three times a year. Occasionally we host meetings with a leading figure from the music world. We also hold luncheons or dinners to celebrate the lifetime achievement of some very special artist, writer, composer or instrumentalist. The music section has about 80 members. At present, it consists overwhelmingly of classical music and opera critics, though we welcome critics of other kinds of music (jazz, pop, and world music).
News & Reviews
Shadow play Almost exactly a year ago OperaGlass Works brought Stravinsky's 1951, Hogarth-inspired opera to Wilton’s Music Hall – a setting so pungent with resonance that all the company had to do was keep out of the way as the ultimate London opera came alive in the...read more
The cast in ENO’s new production of Strauss’s biblical opera are on good form. Stuart Jackson’s Narraboth rings out in the opening scene. The eponymous Alison Cook’s voice is not used to ring out but to extremely dramatic effect as the girl caught up in a world in...read more
On 3rd October 2018, Britain's foremost artist David Hockney received the Critics' Circle award for Distinguished Service to Art. The relaxed ceremony took place over lunch at the Chelsea Arts Club, London, a beautiful venue with access through long french windows...read more
Facing Tolstoy’s massive novel combining epic and romance, Prokofiev had to choose how far he was composing a war horse and how far a pony. Sadly, a Stalinist committee designed a camel for him. The novel’s Pyotr-called-Pierre (Mark Le Brocq), Natalya-called-Natasha...read more