The aims of the Music Section of the Critics’ Circle are: a) to promote the art of criticism and to uphold its integrity in practice; b) to foster and safeguard the professional interests of its members and to provide opportunities for social intercourse among them; and c) to support the advancement of the arts. Though the Circle is decidedly not a trade union, it tries to encourage best practice.
We meet to discuss and decide bread and butter matters twice a year. Occasionally we host meetings with a leading figure from the music world. We also hold luncheons or dinners to celebrate the lifetime achievement of some very special artist, writer, composer or instrumentalist. The music section has about 80 members. At present, it consists overwhelmingly of classical music and opera critics, though we welcome critics of other kinds of music (jazz, pop, and world music).
News & Reviews
Hungry hearts by Robert Thicknesse Not many groups can sell out St John’s for a concert of a nearly 300-year-old opera; it says a lot for the vaulting reputation of David Bates’s outfit La Nuova Musica that the place was packed. In what looked a neat gimmick (and...read more
The Music Section of the Critics' Circle is delighted to announce the recipients of its 2018 Awards which are as follows: Emerging Talent (Conductor): Karina Canellakis Considering she only made her conducting debut in 2014, encouraged by Sir Simon Rattle while...read more
Now brush your teeth The Royal Opera’s brief to director Antony McDonald was simple: create a production of Humperdinck’s Hansel and Gretel that does for Christmas opera what The Nutcracker does for ballet. His answer is picture-postcard pretty – a nineteenth-century,...read more
Weeping songs By Robert Thicknesse How many gloomy songs can you take at one sitting? The Spitalfields Festival invited its audience to test its mettle in this programme of downbeat (or even deadbeat) numbers by Purcell, Blow, John Dowland, Pelham Humfrey, and one...read more