Music Members

Music Members

The music section has 76 members. It at present consists overwhelmingly of classical music and opera critics, though we would welcome as members critics of other kinds of music (jazz, pop, and world music) if they want to join us.

Members

Nicholas Anderson, Tim Ashley, Edward Bhesania, Augustin Blanco-Bazin, Richard Bratby, Geoff Brown, Antony Bye, Hugh Canning, Rupert Christiansen, Michael Church, Keith Clarke, Alexandra Coghlan, Clare Colvin, Antonia Couling, Della Couling, Martin Cullingford, Kimon Daltas, Guy Dammann, Clive Davies, Chris de Souza, Jessica Duchen, Rian Evans, Richard Fairman, John Fallas, Neil Fisher, Ian Fox, Rebecca Franks, Professor Christopher Green, David Gutman, George Hall, Ivan Hewett, Amanda Holloway, Fiona Hook, James Inverne, Erica Jeal, Dr Lucien Jenkins,  Stephen Johnson, Rick Jones, Graeme Kay, Sir Nicholas Kenyon, Ashutosh Khandekar, Nick Kimberley, Alison Latham, Richard Lawrence, Robert Layton, Jonathan Lennie, Paul Levy, Fiona Maddocks, Barry Millington, Kate Molleson, Christopher Morley, Bryce Morrison, Richard Morrison, Owen Mortimer, Geoffrey Norris, Meredith Oakes, Richard Osborne, Matthew Peacock, Gerhard Persche, Stephen Pritchard, Mark Pullinger, Peter Reed, Tim Rutherford-Johnson, Matthew Rye, Edward Seckerson, Hugo Shirley, Geoffrey Smith, Harriet Smith, Tom Sutcliffe, Michael K Tanner, Robert Thicknesse, Warwick Thompson, Mark Valencia, Kenneth Walton, Nicholas Williams, Hans-Theodor Wohlfahrt.

Honorary members

David Cairns, David Gillard, Robert L Henderson, Adrian Jack, Max Loppert, David Mellor, Diana McVeagh, Stephen Pettitt, Stephen Walsh.

News & Reviews

Lohengrin, Royal Opera House

One-sword wonder By Lucien Jenkins One of the first decisions in any opera production is the setting. For Wagner, the old-school approach was to tog up in faux Dark Age armour. The epoch-making Chéreau-Boulez centenary Bayreuth Ring was famously costumed for Wagner’s...

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Der Freischütz, Stuttgart State Opera

Into the woods | By Robert Thicknesse | If you want to see Weber’s seminal Romantic opera these days, you pretty much have to go to Germany. Just as well, too – imagine the camp horrors that would be inflicted on it here out of a mixture of embarrassment and snobbery....

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