The aims of the Music Section of the Critics’ Circle are: a) to promote the art of criticism and to uphold its integrity in practice; b) to foster and safeguard the professional interests of its members and to provide opportunities for social intercourse among them; and c) to support the advancement of the arts. Though the Circle is decidedly not a trade union, it tries to encourage best practice.
We meet to discuss and decide bread and butter matters three times a year. Occasionally we host meetings with a leading figure from the music world. We also hold luncheons or dinners to celebrate the lifetime achievement of some very special artist, writer, composer or instrumentalist. The music section has about 80 members. At present, it consists overwhelmingly of classical music and opera critics, though we welcome critics of other kinds of music (jazz, pop, and world music).
News & Reviews
Weeping songs By Robert Thicknesse How many gloomy songs can you take at one sitting? The Spitalfields Festival invited its audience to test its mettle in this programme of downbeat (or even deadbeat) numbers by Purcell, Blow, John Dowland, Pelham Humfrey, and one...read more
Philip Fisher reports on a cultural visit to Vienna with tastes of architecture, art, theatre and opera.read more
On the hoof | by Robert Thicknesse | As everyone knows, the journey can be more diverting than the destination – even when the destination itself is pretty tasty. The culmination of Haydn’s great oratorio, the duet between Eve and Adam, is a momentous thing – the...read more
Echoes of dreamland | by Robert Thicknesse | Anna Dennis and Carolyn Sampson are our go-to sopranos for Purcell; you’d have to look hard to find better anywhere, so getting them in harness at St John’s with the Gabrieli Consort in The Fairy Queen was a toothsome...read more