Music

Chair: Mark Pullinger pullingercc@btinternet.com
Hon Secretary: Amanda Holloway Amanda@mandah.net

The aims of the Music Section of the Critics’ Circle are: a) to promote the art of criticism and to uphold its integrity in practice; b) to foster and safeguard the professional interests of its members and to provide opportunities for social intercourse among them; and c) to support the advancement of the arts. Though the Circle is decidedly not a trade union, it tries to encourage best practice.

We meet to discuss and decide bread and butter matters three times a year. Occasionally we host meetings with a leading figure from the music world. We also hold luncheons or dinners to celebrate the lifetime achievement of some very special artist, writer, composer or instrumentalist. The music section has about 80 members. At present, it consists overwhelmingly of classical music and opera critics, though we welcome critics of other kinds of music (jazz, pop, and world music).

News & Reviews

Iolanthe, English National Opera

Fairy bad by Tom Sutcliffe English National Opera has had mixed experience with Gilbert & Sullivan - apart from Jonathan Miller’s never-fading Mikado brilliantly (and very distinctively) designed by Stefanos Lazaridis. Who now remembers Ken Russell’s tedious Princess...

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Un ballo in maschera, Opera North, Leeds

By Tom Sutcliffe Who is to blame for the less than wonderful launch of Opera North’s latest Verdi? - the marvellous Un ballo in maschera, with its unconsummated central love affair, superstition and violent politics. Richard Farnes is widely accepted as a major...

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La forza del destino, Welsh National Opera

The most startling aspect of WNO’s account of Verdi’s tale of doomed love is a wicked fairy. As though moonlighting from the Sleeping Beauty, Justina Gringyte participates in the overture beating her drum major-style mace on the ground in time to Verdi’s...

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