Proms off like the Clappers

Proms off like the Clappers

By Rick Jones Oh for goodness’ sake. The Proms begin and all anyone can talk about is applause in the wrong place. The audience clapped the individual planets of the Solar System instead of waiting for Neptune at the end of Holst’s suite on opening night. Pluto was...
Close Encounters of the Third Kind – in concert

Close Encounters of the Third Kind – in concert

By Anna Smith I’ve become a bit of a regular at the Royal Albert Hall’s ‘in concert’ series: it’s a certainly an impressive place to watch classic movies with a live orchestral soundtrack. Back to the Future and Amadeus raised the roof, and Raiders of the Lost Ark was...
Pelleas et Melisande, Glyndebourne

Pelleas et Melisande, Glyndebourne

Road to nowhere by Tom Sutcliffe Self-referential production concepts have become tediously common at Glyndebourne over the years. The very high standing of Britain’s oldest and most distinguished opera festival no doubt makes it hard totally to avoid...
The Lodger, Bremerhaven State Theatre

The Lodger, Bremerhaven State Theatre

Undead By Tom Sutcliffe Phyllis Tate’s 1960 opera has not deserved the neglect into which it has fallen. Will the current claims about advancing the status of women composers actually mean anything? Tate was married to Alan Frank who ran OUP’s music list for 21 years...
Capriccio, Garsington Opera

Capriccio, Garsington Opera

No contest By Robert Thicknesse It’s a legal requirement these days to preface any discussion of Richard Strauss’s final opera with snarky comments on its wartime composition in Munich. Sure, it seems a bit odd to us now to have premiered this whimsical...