The Critics’ Circle

 

 

 

 

Protecting and promoting cultural criticism since 1913

 

The Critics’ Circle believes impartial, professional criticism of the arts is an essential ingredient of a healthy society. The Circle today has 490 members shared between Theatre (117), Music (78), Film (151), Dance (57), Visual Arts (47) and Books (40). Admission to the Circle is by invitation from the Council.

Since 1988 the Circle has presented each year the Service to Art Rosebowl to an artist of conspicuous achievement. In 2015 the members voted for Dame Maggie Smith, in 2016 for Matthew Bourne.

The sections make their own awards in ceremonies which are significant social occasions, and hold periodic meetings and lunches to discuss their awards, propose new members, debate current issues and meet artists.

 

President: Anna Smith
Vice-President: William Russell
Hon. General Secretary: Rick Jones criticscircleallsections@gmail.com
Hon. Treasurer: Peter Cargin
Trustees: Ian Herbert, Michael Billington, Peter Cargin

News & reviews

Self & I by Matthew De Abaitua

Self & I by Matthew De Abaitua

AT the age of 22 Matthew De Abaitua worked for six months as amanuensis to the writer Will Self. It was the mid-1990s and Abaitua was studying for an MA in creative writing at the University of East Anglia in Norwich. Self was the bad-boy author of a novella, Cock and...

read more

Finchleystrasse

German refugees from the Nazi terror were so numerous in North London that the Finchley Road became ‘Finchleystrasse!’ to the bus conductors. This is the title of a moving exhibition at the German Embassy of paintings, etchings and graphics by some thirty hugely...

read more

Eugene Onegin, Mid Wales Opera

Slavs to love By Richard Bratby The Courtyard, Hereford, Tuesday 10 April 2018 The second full-scale production by Mid Wales Opera under Richard Studer and Jonathan Lyness’s leadership is Eugene Onegin, and it’s a shrewd choice. How shrewd? Well, as Tchaikovsky...

read more

Coraline, Barbican Theatre

Button for punishment | by Tom Sutcliffe | The first rule for successful opera composition is to choose a story involving characters that can be believable when they tell us about themselves, which of course is not the only reason they are there in the story. Opera is...

read more