Self & I by Matthew De Abaitua

Self & I by Matthew De Abaitua

AT the age of 22 Matthew De Abaitua worked for six months as amanuensis to the writer Will Self. It was the mid-1990s and Abaitua was studying for an MA in creative writing at the University of East Anglia in Norwich. Self was the bad-boy author of a novella, Cock and...

Finchleystrasse

German refugees from the Nazi terror were so numerous in North London that the Finchley Road became ‘Finchleystrasse!’ to the bus conductors. This is the title of a moving exhibition at the German Embassy of paintings, etchings and graphics by some thirty hugely...
Eugene Onegin, Mid Wales Opera

Eugene Onegin, Mid Wales Opera

Slavs to love By Richard Bratby The Courtyard, Hereford, Tuesday 10 April 2018 The second full-scale production by Mid Wales Opera under Richard Studer and Jonathan Lyness’s leadership is Eugene Onegin, and it’s a shrewd choice. How shrewd? Well, as Tchaikovsky...
Coraline, Barbican Theatre

Coraline, Barbican Theatre

Button for punishment | by Tom Sutcliffe | The first rule for successful opera composition is to choose a story involving characters that can be believable when they tell us about themselves, which of course is not the only reason they are there in the story. Opera is...